It's worth the money if you use it for commercial work (in my opinion also for fun).Īs described in the tutorial above, the PNG that Texture-Packer produces can be big… is only used to extract an alpha mask and get the packed layout. This solution requires the Pro-Version and you can give it a try by enabling it as a trial (as seen in your screenshot).
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With Parkhurst dead, Hayward is now in charge, and suddenly he isn’t so eager to go home anymore. And Parkhurst himself ends up on the lion’s menu when he leaves camp for the nearest city without checking first to see whether or not the steam engine he’d been using to shuttle himself back and forth had enough fuel for the journey. The boss-man is forced to reconsider his position, though, when workers start disappearing, only to show up later as mangled, half-eaten carcasses stashed in the underbrush around the campsite. In fact, it is Parkhurst’s opinion that Hayward himself started the rumors in the hope of getting the job called off so that he could finally go home to his wife Alice (who will be played by Barbara Britton when at last we meet her). Parkhurst and the engineer quickly discover that rumors of a killer lion have been circulating among the men, who understandably contend (in the words of the foreman) that “their contract didn’t say anything about man-eating lions.” But Parkhurst (self-important, stiff-upper-lip fucker that he is) doesn’t believe a word of it. Then one day, the laborers Hayward shipped in from India lose all interest in their jobs. But thus far, his current job has been rather smooth sailing, though it is progressing a bit slowly for Parkhurst’s taste. The trans-Africa railway project is sort of a last chance at glory for Hayward, whose previous engineering efforts back home have mostly not turned out as planned- the implication is that his heavy drinking may have had a little bit to do with that. Hayward begins the movie as the number-two man on the project, working under the supervision of Major Parkhurst (Ramsay Hill, from Panther Girl of the Congo and When Worlds Collide), a stuffy executive type from the home office of the construction firm owned by Hayward’s father in law. And so, just this once, I’m setting aside my prejudice against jungle movies to bring it to your attention.īwana Devil’s plot is very similar to that of the recent Ghost in the Darkness, and concerns the havoc wreaked on the efforts of engineer Robert Hayward (Robert Stack, best known for his role as Eliot Ness on “The Untouchables,” though if you were as big a dork as I was in the mid-1980’s, you might also remember that he was one of the voice-actors for Transformers: The Movie) to build a railway across central Africa when some of the local wildlife takes it upon itself to reintegrate Hayward’s workers into the food chain. Given the great importance of idiotic gimmicks in the marketing of exploitation movies of all genres over the years, I think it ought to be pretty obvious what a milestone this movie becomes on the strength of that pioneer status. Bwana Devil, as the more erudite of you may already know, was the first feature-length movie ever shot in 3-D. I’m going to make an exception, though, in the case of Bwana Devil because of the tremendous significance of this all-but-forgotten film in the history of exploitation cinema as a whole. The genre as a whole just doesn’t interest me. Cobb and Bette Davis appeared in movies made overseas but one of the more unusual examples of American actors appearing in an international production is Barry Sullivan and Martha Hyer in Pyro…The Thing Without a Face (1964, aka Fuego in the European market), directed by Julio Coll and filmed in Spain.Generally, I don’t bother with old-school jungle adventure movies. Some of the more famous former studio contract players who escaped and reinvented themselves in Europe were Clint Eastwood, Charles Bronson, Lee Van Cleef, Jean Seberg and Jane Fonda. Some movie actors could see the writing on the wall and began to pursue film offers outside Hollywood and the U.S. The early 1960s was a turbulent time for the film industry and the Hollywood studio system was becoming a relic of the past as television and other competitors in the entertainment field lured audiences away. It should be inviting to both inexperienced and experienced drinkers alike. The fruits are given extra depth with stronger vanilla and caramel scents. Nose: Sweet and fruity notes like cherries, raspberries and grenadine syrup. The cherry notes from the palate turn a little more medicinal like a cough syrup. Nutmeg and cinnamon accompany cornbread and caramel. I can even find some faint oak as I roll it around in my mouth.įinish: After the sip is complete, the baking spices begin to reveal themselves. There is a prickle of rye spice notes that are restrained by sweeter vanilla flavors. It accompanies the traditional cherry notes. An extra set of fruit notes can be found too – peach and orange peel. Palate: Switching from an 80 to 90 proof version sure puts things into perspective quickly. Caramel, cherry and cinnamon all play nicely with a little bit of seasoned oak spice. 8 is still present, but doesn’t seem as bothersome. The youthful graininess I observed in No. The same notes are present, but all of them feel stronger – like a real bourbon! 8, the nose on this glass of Small Batch immediately smells miles ahead. Nose: Coming fresh off of my glass of Benchmark No. Buffalo Trace is the cheapest bottle outside of the Benchmark line, so it felt right to put it in here too. Benchmark is the cheapest, but Benchmark Small Batch isn’t too far behind it. In this review, I’m going to compare Buffalo Trace, Benchmark and Benchmark Small Batch Kentucky Straight Bourbon Whiskey.Īll three of these are so similar that they beg comparison. This would hopefully take some of the heat off of their more aged options like Buffalo Trace, Colonel E.H. This strategy would still allow Buffalo Trace to keep the masses satisfied with a cheap bourbon (not to be confused with bottom shelf) that they could quickly make a lot of. In this way, they hoped that consumers would find more than one to buy. They rolled out with 5 new bourbons called Small Batch, Top Floor, Bonded, Single Barrel Bourbon and Full Proof. None of them were priced over $22 (your store may mark it up more though). So Buffalo Trace decided to test this out by expanding the Benchmark line. They also knew that even if they did, the kinds of people who buy it aren’t going to buy more bottles until they ran out.īut research shows that those same customers could be more inclined to buy a new version of their old standby if they saw the same kind of value in it. They knew they couldn’t cut the price range any more than it already was. Finally, the topper is the cheapest design in the industry – a foil screw-cap. Be careful when tightening it or you’ll ruin the threads! The Original Benchmark Lineup expandsīuffalo Trace spent some time trying to figure out how to get more people to buy Benchmark. In terms of packaging, the glass bottle design hasn’t changed in forever which allows Buffalo Trace to buy in bulk over a long time. 8 (also known as adding a little water to it) to the bare minimum allowed by law – 80 proof. It’s also bottled at only 3 years old (the label states “at least 36 months old”). The areas that they cut costs on are not hidden either. Since that time, it’s always been a budget bottle. It wasn’t always owned by the Sazerac company (the parent company of Buffalo Trace) but was acquired by them in 1989 from the Seagram Company. Say hello to Benchmark bourbon.īenchmark Bourbon has been around for decades. However, we are seeing the results of the latter right now. We won’t be able to experience the result of their expanded bourbon production for several more years. The second is to release products with less age so they can make it faster. The first is to build more capacity (warehouses and distilling equipment) so that they can make more. And once they’re gone, they’re gone. Even lowly Buffalo Trace Bourbon, their namesake, now has “Limit 1” signs on it whenever you can find it on a shelf.īuffalo Trace has two solutions to their problem. How do we know that? Because every Buffalo Trace product they put out seems to be instantly allocated.Īllocated means that stores can only buy a certain amount from their distributor. They are practically the gold standard of the industry. It is tough to think of another distillery that sells better products – from top to bottom – than the Buffalo Trace brand. When you buy through links on our site, we may earn an affiliate commission. Rosemary’s Baby is delivered by Paramount Canada on 4K today. The film is a must-have for horror fans and cinephiles, and it looks gorgeous on 4K. It’s still scary because the abuse and gaslighting are grounded in reality, and the supernatural aspects are kept to a minimum, that last scene is all played off Farrow’s reactions and it’s chilling. The film was officially entered into the National Film Registry by the Library of Congress in 2014, recognizing its endurance, and this one still works. Included on the accompanying Blu-ray is the 50th-anniversary redband trailer, the original theatrical trailer (I really dig this one), a quick featurette about Mia Farrow and Roman Polanski, as well a twenty-minute retrospective on the film. Sherlock Holmes is one of the most surprisingly unusual films of 2009 not necessarily in a good or bad way, just unusual for the fact it’s a PG-13 historical action-adventure. After re-watching for the first time since, my opinion pretty much remains the same. There are no new extras added to the disc, just previously released content, though it rounds out the disc nicely. Note: This portion was copied over from my 2010 review. The 4K looks gorgeous, bringing the ’60s back to vibrant life, and highlighting the beautiful details of the set, the fabrics and the styles of the day. Polanski runs a level of tension through the entire film that leaves you on edge, even if you’ve seen it more than once.Īnd it never prepares you for the final scene, Rosemary’s reactions, leaving viewers as the credits roll, gutted and terrified. The viewer knows that all of these things are actually happening, we see Guy gaslighting her, and his demeanour around her changing in regards to the pregnancy. Minnie, Roman and Guy take over all manner of caring for Rosemary, finding her their own doctor, Sapirstein (Ralph Bellamy), separating her from friends, and making her concoctions to be ingested. Partially drugged one night, a conception does take place, but is it Guy, or is it some Thing else? And is Guy involved with them? Suddenly he’s getting all manner of roles! They are planning on starting a family, Guy is chasing roles, and Rosemary is trying to settle into her new life in the building, including dealing with some nosy neighbours in the form of Minnie (Ruth Gordon) and Roman (Sidney Blackmer).Ī couple of strange deaths put Rosemary and the audience on edge and the way Guy’s relationship with Minnie and Roman escalates starts to set off minor alarms, but what could possibly go wrong? Is it possible that Minnie and Roman are witches? Ro’s friend Hutch (Maurice Evans) certainly thinks so. Rosemary (Farrow) and her actor husband, Guy (John Cassavetes) move into the gorgeous Bramford apartment building. Rosemary’s Baby is horrifying, there’s gaslighting, domestic abuse, pregnancy worries, and a brush with the supernatural that may not overshadow a mother’s love. The picture is nicely cleaned up, and the images are sharp and clear, almost as if they had been shot yesterday. It’s been the better part of a decade since I last watched this film, and I was eager to settle in to see it again. Some fifty-five years on, Roman Polanski’s film, starring Mia Farrow, still packs a wallop, and what better way to celebrate its enduring legacy than a new 4k release of the film from Paramount Pictures? |
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